121 HIGH QUALITY PICTURES - The Blonde in Boots Against the Wall! - READY TO SEE ME?

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The work itself consists of two walls of colour photographs showing destroyed villages, exhumed graves, and family members mourning the dead.


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Another wall has been turned into an enormous map of the Middle East and Europe, into which pins have been driven at locations where Kurdish diasporas exist London, Berlin and from these pins hang photos, documents, brochures and pamphlets telling their stories, complete with photos of themselves, family members alive and dead and so on. A sort of archive of memories.

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And, on the fourth wall there is a film installation which, on parallel screens, intersperses photos Meiselas has taken with historic photos and footage of people and places from the region, alongside personal testimony from Kurdish survivors as well as Meiselas herself. Installation view of Kurdistan by Susan Meiselas. I was the assistant producer in charge of stories from Asia, defined as all the countries from Japan to Israel and including the two most populous nations on earth, China and India. During this time I got to know quite a bit about the Kurds and their culture.

He agreed so I was his minder and organiser for that appearance. At least 5, people died as an immediate result of the chemical attack and an estimated further 7, people were injured or suffered long term illness.

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What a bastard he was. That weekend I produced the part of the show where we interviewed a poison gas expert describing the effects on the body of the nerve agents Tabun and Sarin — the burning lungs, the seared skin, the agonising pain as you go blind — and then a regional expert explaining why Saddam launched the attack and what he hoped to gain to terrorise the local Kurdish population into stopping their support for the Kurdish peshmerga guerrillas who had recently taken control of the region.

The full history of the Kurds is long and complicated. Gathering the stories of Kurdish survivors is clearly an important contribution to their oral history. Bringing the story of this brutally repressed people to a wider audience is obviously a very worthwhile cause. These are stock images of stock subjects. Obviously a project like this is well-intentioned and has involved a lot of people in numerous forms of collaboration, in telling their often harrowing stories of persecution or uplifting stories of survival.

But, in my experience, accounts like this run the risk of making the horrors of war and genocide in this region seem like inexplicable nightmares, unless and until you make the hard effort to understand the Realpolitik which lies behind them.


Thus it is easy to take photos of weeping mothers and bleak-eyed family members around a mass grave — and it is easy to take extensive accounts of how this or that family survived the attack on their village, the gassing, the roundups for interrogation, made a long trek into the mountains or managed to flee the region altogether.

But the risk is that these sad images and sad stories have the tendency to create an over-simplified dichotomy between the good and the bad, dividing people into sheep and goats. To be more specific, the Kurds themselves are divided into many factions. They have created numerous militias and fighting forces which have proved themselves very effective and with whom the West, in particular America, has allied itself over the past 20 years — but which are themselves no angels.

The area is riven by religious, ethnic, nationalistic, political and militia-based divisions which look set to destabilise it for the foreseeable future. You need to undertake a thorough study of the landscape, the geography and climate and natural resources of the area because half the time it comes down to fighting over natural resources — water, oil, farmable land , and then of the long, bitter histories of the warring peoples who have lived there. Only then do atrocities like this become at least comprehensible, and only as they become comprehensible and analysable, can you gather the evidence and arguments to try and stop them happening again.

I liked the idea of the enormous map with the pamphlets hanging from it as a thing, as an object — but then I love maps of any kind. The film projections included lots of evocative old photos of Kurdish peasants taken in the late 19th or early 20th century. All of the photos are taken with great clarity and all-too-vividly capture the horrible traumatic experiences of the victims.

They manifest in a number of surprising ways. Take dating, for example. The vast majority of people, in all countries and from all cultural backgrounds, enter into relationships with people from the same racial, ethnic or cultural-linguistic group. But in Britain, black people are far more likely to enter into interracial relationships than other people of colour. That creates, in simple terms, a shortage. For black women, doing what most people do and seeking a partner of the same ethnic background as them, the odds are not in their favour.

One consequence is that there are many black women in Britain with no prior experience of interracial relationships, now seeking them, only to find their newfound open-mindedness is not reciprocated. One anecdotal example of this is my friend Yvonne. Frustrated at being single in her late 30s, Yvonne invested several thousand pounds in an expensive matchmaking service. She decided it was an investment worth making to find a partner who, like her, works in the City and would share her ambition.

With two black parents, and a mainly black social circle, she had always imagined herself with a black partner. But the paucity of single black men with similar lifestyles led her to consider dating someone of a different race. The problem was, she never received any expressions of interest from the single white men she knew. In the hands of a bespoke matchmaking service, which spent hours eliciting intimate details about her personality, interests and views on relationships, a good deal of time-wasting would be stripped away.

In the end, the service ended up refunding her money because, they told her apologetically, they could not find her a date — not one single match. None of the men on their database was willing to seriously date a black woman. Some were open to casual romance, but had stated that they would not consider a black woman as a long-term partner. They were matter-of-fact, as if it was somehow obvious that a black woman might dissolve when exposed to a non-urban environment, like Dracula in sunlight.

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Studies suggest that this is happening on a wider scale. The problem with these kinds of stereotypes — other than that they originate in racist ideology — is that they both repel and attract people for the wrong reasons. Many black women are aware of being seen through this stereotype-laden lens, in turn making them feel suspicious of the men who do approach them.

I remember this suspicion as a teenager, feeling that white boys and men, for whom I was often the first black woman they had ever met, did not see me, but whatever it was that they were projecting on to my blackness: I was exotic, freaky, strong, supernatural. Women who arrived in Britain as part of the Windrush generation of Caribbean migrant workers, recruited by the government to work in the public sector after the war, were met with hurtful sexual expectations. Topics Sex. Pornography Relationships Race features. Reuse this content. Order by newest oldest recommendations. Show 25 25 50 All.

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